Advertisement
The year, the first after the pandemic, began with “Pathaan” and finishes with “Dunki”, the two very different Shah Rukh films bookending the success of Sunny Deol starrer “Gadar 2”, Johar’s “Rocky Aur Rani Kii Prem Kahani” and the hugely controversial “Animal” that brought back Bobby Deol into the limelight.
But 2023 was not just about macho heroes fighting their way to victory in high octane, high tech thrillers edged with VFX and testosterone. Bollywood’s return to its theatrical glory days was also about sequels and agenda-driven films.
Last year, around this time, Hindi cinema was struggling to make a mark in theatres, while films from the South captured the hearts of audiences across India, the pinnacle being ”RRR” song ”Naatu Naatu” winning at the Oscars.
Related Articles
Advertisement
The revival kickstarted with Shah Rukh’s spy act in the January release ”Pathaan” that brought him back to movies after a gap of four years. The Siddharth Anand-directed film became one of the biggest hits of the year with its earnings of Rs 1,000 crore worldwide, leading to many think-pieces and discussions for its palatable patriotism in a hero who was found in a theatre and named ‘Pathaan’ by a group of Afghan women he saves during a mission.
Shah Rukh followed it up with another hit in September’s ”Jawan”, which once again saw the actor live up to the hype surrounding his return. Directed by Atlee, the film went on to mint more money than ”Pathaan” by earning over Rs 1,100 crore.
He seems to have hit a hat-trick with ”Dunki”, which has done reasonably well at the box office despite mixed reviews. Though its earnings don’t match up to the earlier two films, the Rajkumar Hirani-directorial has grossed over Rs 250 crore globally since its December 21 release.
”Gadar 2” was the surprise package of the year. It made over Rs 500 crore and marked one of the most spectacular returns to forms for Sunny in his 40th year in films.
In fact, the year belonged to the Deol family. It saw papa Dharmendra playing a hardcore romantic in ”Rocky Aur Rani Kii Prem Kahani” and younger brother Bobby walk away with praise for his brief but impactful role in ”Animal”.
Besides, Sunny’s son Rajveer also made his acting debut with ”Dono”, which did not do the numbers but got its lead actor noticed.
With the film, Johar, whose last full-fledged feature was 2016’s ”Ae Dil Hai Mushkil”, reminded his fans why he continues to be a filmmaker who knows how to tug at the heartstrings through his larger-than-life cinema.
The family entertainer, starring Ranveer Singh and Alia Bhatt, is Johar’s most realised film, delivering both laughs and lessons on equality and respect in relationships while overturning stereotypes that have long been Hindi movie tropes. He has acknowledged in interviews that he tried to correct past mistakes in his own cinema through the film about a rich Punjabi brat and a Bengali journalist.
While there was a ”Rocky Aur Rani…” giving viewers a progressive vision, the year ended with Sandeep Reddy Vanga’s ”Animal”, starring Ranbir Kapoor, in one of the most divisive films of 2023.
Just like Vanga’s ”Kabir Singh”, ”Animal” too courted controversy over its projection of masculinity, violence and its promotion of the toxic, overtly macho hero. The film, however, is one of the biggest Hindi blockbusters of the year by earning over Rs 800 crore.
Before ”Animal”, Ranbir had a solid hit in ”Tu Jhoothi Main Makkaar”, which also raised eyebrows for its depiction of gender dynamics.
There were smaller, quieter successes too.
Three years after ”Shikara”, Vidhu Vinod Chopra returned to the big screen as a director with ”12th Fail”, a low-budget film whose box office success (over Rs 60 crore) surprised many.
With testosterone seemingly at an all-time high, cinegoers didn’t quite warm up to female-led stories, except for Rani Mukerji’s ”Mrs Chatterjee Vs Norway”. Kangana Ranaut-starrer ”Tejas”, Vidya Balan-starrer ”Neeyat”, ”Akelli” featuring Nushrratt Bharuccha, Shilpa Shetty’s ”Sukhee” and ”Dhak Dhak”, starring Ratna Pathak Shah and Dia Mirza, didn’t work.
It was also a year of sequels with ”Gadar 2”, ”OMG 2”, ”Tiger 3”, ”Dream Girl 2” and ”Fukrey 3” releasing and proving the worth of franchise cinema.
Salman Khan had a moderately successful year with one hit and one flop in ”Tiger 3” and ”Kisi Ka Bhai Kisi Ki Jaan”.
Kartik Aaryan, who delivered his career best numbers with 2022’s ”Bhool Bhulaiyya 2”, had a mixed year. His mid-budget film ”Satyaprem Ki Katha” entered the Rs 100 crore-club after an abysmal show by ”Shehzada”, the Hindi remake of Telugu hit ”Ala Vaikunthapurramuloo”.
His contemporary Vicky Kaushal too had a similar year, ”Zara Hatke Zara Bachke”, a mid-budget family entertainer, was a surprise hit, while ”Sam Bahadur” barely managed to keep its head above water amid fierce competition from ”Animal”.
Kaushal’s third release ”The Great Indian Family” didn’t measure up to expectations.
Like 2022, this year also had its fair share of propaganda movies. Some hit the mark like Vipul Shah’s ”The Kerala Story”, while others like Om Raut’s ”Adipurush” and Vivek Agnihotri’s ”The Vaccine War” failed.
”Adipurush”, a retelling of the Ramayana, was one of the buzziest films of the year but upon its release attracted ridicule over its language, storytelling and poor quality of VFX.
The films that didn’t work at the ticket window were many. Some of them were: ”Selfiee” and ”Mission Raniganj”, ”Bheed”, Sudhir Mishra’s ”Afwaah”, ”IB71”, ”Khichdi 2: Welcome to Paanthukistan”.