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Artistes from all over the country are benefitting from the fruits of the foundation laid by Phalke, the editorial said. “Those who come to Mumbai to try their luck in this industry-first stay on the footpath and then shift to Juju, Pali Hill and Malabar Hill to build their bungalows. All these people have always been grateful to the city and the state which allowed them to chase their dreams and make it big. They have never betrayed Mumbai but have also contributed to the growth of the city,” the Saamana said. “Many artistes have been awarded Bharat Ratna and also Nishan-e-Pakistan,” it noted.
Incidentally, the Shiv Sena had protested vociferously against Dilip Kumar when he accepted Nishan-e-Pakistan, the highest civil award of the neighbouring country, several years ago. The editorial also pointed out that the Mumbai film industry provides jobs to lakhs of people.
Referring to the criticism that it is dominated by the “Khans”, the newspaper said at one time the industry was dominated by Punjabis and Maharashtrians. Many Muslim actors adopted Hindu screen names such as Dilip Kumar (whose real name is Yusuf Khan), Madhubala (Mumtaz Jehan Begum Dehlavi), it said, adding that what mattered was only talent and not the person’s religion.
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Dynasties or `gharanas’ exist in the fields of music and direction too, it added. “These people did not fight the fish while living in a pond” (did not fight the milieu in which they lived)” and “did not throw stones at others while living in a glasshouse,” the editorial said, in a veiled reference toRanaut who has criticized bigwigs in the film industry.