Will never forget love and appreciation of people from Karavali Karnataka: Pandit Venkatesh Kumar

Renowned Hindustani classical vocalist Pandit Venkatesh Kumar, a native of Dharwad and one of the leading exponents of Indian classical music, shared his thoughts and experiences during an exclusive interview with Udayavani. The maestro was in Moodbidri to receive the prestigious 30th Alva’s Virasat Award.

Fondness for Coastal Karnataka

“I am proud of Coastal Karnataka. This region has long embraced art forms like Carnatic music, Bharatanatyam, and Yakshagana. Music is deeply ingrained here. Personally, I have received immense love and recognition from the people here, and their wholehearted appreciation of my concerts has been overwhelming,” Pandit Venkatesh Kumar said, expressing gratitude for the region’s cultural richness and admiration for its discerning audience.

How Has the Audience Responded to Your Music in Coastal Karnataka?

“The cultural vibrancy of this region is extraordinary. While styles differ—be it northern or southern traditions—all music requires rhythm and melody. Coastal Karnataka is home to highly cultured audiences. Interestingly, it was people from this region who introduced the legendary Bhimsen Joshi to the world even before North Karnataka did. The respect and joy they extend to all artists, regardless of style, is truly commendable,” he remarked.

On His Musical Journey and Notable Performances

“I was trained at the Gadag Ashram under Pandit Puttaraj Gawai for 12 years. There, music was life 24/7. I learned under his guidance while serving him. After completing my training, I pursued private jobs for a few years before joining Dharwad University. With my guru’s blessings, I managed to stabilize my financial situation and explore the vast musical landscape across India, performing in Maharashtra, West Bengal, Tamil Nadu, Bihar, and Delhi.

Some unforgettable performances include the Sawai Gandharva Festival in Pune, ITC Sangeet Sammelan in Kolkata, and Gandharva Hall concerts in Delhi and Chennai. Witnessing 10,000 to 15,000 listeners enjoying music from dusk till dawn is a joy beyond words.”

On the Changing Dynamics of Music Appreciation

“There has been a significant change over the years. Earlier, the audience primarily comprised elderly, retired individuals or those from traditional cultural backgrounds. Today, 50% of the audience is youth, which is a very positive sign. They are the torchbearers of this legacy and will ensure the growth of classical music in the future,” he said.

Impact of Smartphones and Technology on Music

“Smartphones are necessary, but they cannot replace traditional learning methods. Music cannot be fully understood or taught through mobile apps or online platforms. Learning music requires sitting before a guru and imbibing their teachings. While technology offers convenience, its use should be balanced and constructive,” Pandit Kumar cautioned.

Current Scenario of Music Education in India

“There is a growing interest in learning music, but the number of knowledgeable gurus has declined. This gap needs to be filled with time and effort. However, it’s heartening to see increased recognition, respect, and financial security for artists today. Earlier, there were concerns about making a livelihood from music, but now people pursue it alongside other careers, often treating it as a passion rather than just a profession.”

Memories of Teaching in Udupi

“I taught at Mukunda Krupa, a TMA Pai institution in Udupi, for about a year and a half under the leadership of Principal Madhav Bhat. However, I gained more than I taught there. The guidance and advice from fellow teachers were invaluable and have greatly benefited me in my journey,” he fondly recalled.

Translated from a Kannada interview by Venuvinod K.S.